aqnb – “Sparkly Berman: Miracle Zone” Review, June 2021
Review of Sparkly Berman’s solo exhibition Miracle Zone at Le Maximum in Venice, California.
Read the review here.
Review of Sparkly Berman’s solo exhibition Miracle Zone at Le Maximum in Venice, California.
Read the review here.
Awarded the Open Space Contemporary x Freeze Magazine Meme 500 Writing Grant to develop a short essay discussing bringing a greater level of criticality to art memes on social media.
Read the essay here.
Essay for aqnb discussing memes, conspiracy theories and the elasticity of truth in an informational sphere driven by algorithmic circulation.
Read the essay here.
Essay for aqnb regarding the cult of performative activism on social media, and the economic forces powering such behavior for monetary gain.
Read the essay here.
Review of Mathis Altmann’s solo exhibition Wir sind das Volz at Freedman Fitzpatrick, Los Angeles in the Summer 2017 issue of Flash Art.
Interview with digital and video artist Takeshi Murata before his solo exhibition at Ratio 3 in San Francisco.
Read the full interview here.
Review of Mathieu Malouf’s solo exhibition Toilet at Jenny’s, Los Angeles in the May 2016 issue of Flash Art.
Review of John Miller’s exhibition Relations in Public held at Richard Telles, Los Angeles in the May 2016 issue of Flash Art.
Review of Martine Syms’ solo exhibition COM PORT MENT at Karma International, Los Angeles, in the Summer 2016 issue of ArtReview.
Review of Juilen Ceccaldi’s show King and Slave at Jenny’s in Los Angeles. February 2016.
Read the review here.
Review of Jean Baudrillard’s exhibition of photography Jean Baudrillard: Ultimate Paradox held at Château Shatto in late 2015 and early 2016. Published January 2016.
Read the review here.
Interview and feature for Vice/Noisey regarding the EBM/Industrial band High Functioning Flesh, as well as other members of the dark music scene in Los Angeles. November 2014.
Read the story here.